My name is Cédric Bozzi and this is my blog. Well… mostly, this is a rerun of all my tweets and the photos I publish on Instagram, but sometimes there might be an actual article or two.
I make websites and iPhone apps, try my best to own one of every item in Apple’s current product lineup, spend my entire life on the internet, and am looking for a flat in Paris.
See also: my apps; contact form.
Sur Twitter : @garoo, @ff00aa and @bewarethefrog — plus @garoodotnet which notifies of new articles on this blog.
Four kids, uprooted by WWII but not quite orphans for a change, discover a magical wardrobe that opens a passage to the world of Narnia.
Besides the surprising casting choices for Aslan (sure, Sean Connery can’t be everywhere) and the white which (rather good with swords, but lacking charisma so much you could have thought it’s intentional if it weren’t true of every other character), the movie’s second half would probably be much less boring and corny if… I were twelve.
I love the scene where the idiot girl, magical quiver on her back, watches Aslan get killed from afar without even thinking of trying anything. However, I find it a bit abusive to say Aslan’s resurrection is reminiscent of catholicism: exploiting a contractual loophole to con the witch isn’t exactly my definition of christic sacrifice.
And now, after (excellently) covering Seal, Alanis Morissette is doing Disney soundtracks?
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