Rather inconsequential. Why is it that, whenever a director obtains something rather unique, like the authorizations to shoot a movie almost entirely within the UN premises (which might as well have been rebuilt in a studio, considering what little good it makes to the movie), the final movie isn’t a masterpiece? It it only because, in order to obtain that, you have to be an old director on a downward slope?

Anyway, it’s not too bad either; just slower than necessary, less intense than should be, and the absurd coincidences the whole movie relies on are never actually justified.