Hi! Do you remember blogs? Well, this used to be one. Now it just serves as an archive for my multiple Twitter accounts.
Yeah, the Garoo doesn’t know what it wants. A few months ago, I closed all my ancillary blogs, because I thought my postings were too diluted, and I wasn’t writing very regularly and it was such a mess to maintain a dozen blogs at the same time; today, and now that the few readers I had on #FF00AA and Beware The Frog have definitively left the building and nobody cares what I do anymore, I’m reopening all the sites (a good thing I renewed the domains just in case — both out of nostalgia and because unique domain names are becoming the most precious merchandise of the 21st century).
The reason I’m reopening my blog network is that having to publish everything on garoo.net was paralyzing me: every time a news article or an image captured my attention for ten seconds (which is pretty rare, statistically), I asked myself: “Can that be of interest to people who read garoo.net?” And the answer was always “No,” so I ended up posting a link only one tenth of the time, just so I could tell myself the blog wasn’t completely dead. But, if you replace “garoo.net” with “#FF00AA” or “Beware The Frog” in the question, the threshold to publication is much, much lower.
Now what’s to say I’m not going to close all the Garoo Network blogs again in two months? Well, nothing. That’s how blogs work, anyway. But I’ve changed the odds: instead of having a database and a set of PHP scripts per blog (only the Regarde tumblelogs shared a code base; I’m not that big at factoring), this time everything’s using the same base as my personal blog — so I get to use the same shortcuts to publish a link or photo in a couple clicks.
If you’ve subscribed to the garoo.net RSS feed, you’ll get an entry each day summarizing everything I’ve posted on the other blogs, just like I already aggregate all my Twitter entries; if you want to subscribe directly to a specific blog whose topic you’re interested in, just go to the site and click the RSS button. (If there’s no RSS button, then you’re using a prehistoric browser and you should update. But is there anyone using an RSS aggregator yet running IE6?) The old thematic RSS feeds should redirect smoothly to the new addresses.
By the way, what is the Garoo Network?
More will come later. Or maybe not.
Each year there’s a bunch of blog posts with the same title, but this one is interesting.
Beowulf — Ugly. Boring. Gross. Awful. You kinda get used to the uncanny actors over the course of the movie, but you shouldn’t have to.
Very nice visuals. But who wants a screensaver that weighs 138MB, takes minutes to load, shoots the CPU load to 100% when it’s running, and costs $15, when most screens are now configured to turn off when not in use?
Besides, it doesn’t even look that good — it’s a great idea, but not done so well, with each number falling over and over again in a separate slot.
I’m not sure why, but when the first gameplay videos were released a few months back I had the impression it might be an okay game, against all odds. Well, now that’s solved — I predict it’s gonna be the usual crappy movie game.
Généraaaaation désenchantéééééée. C’est marrant, j’aimais cette chanson bien avant de réaliser que ce serait l’histoire de ma vie.
Non, non, non, je ne suis pas en train de comparer ma vie à une chanson de Mylène Farmer, c’est pas possible.
That’s the first April Fools post that got a chuckle out of me this year — mainly because of the concept illustrations. (It’s a shame I’m reopening Regarde Le Clown on an April first, and I’ve got almost nothing to post there because nothing’s funny.)
Convenient: Firefox 3’s page zoom lets you check how your layout handles window sizes twice as large as what fits on your desktop. Particularly interesting for me, as I tend to like ultra-wide header images these days.
I don’t know whether Opera lets you zoom out the same way, but nobody uses Opera; and I don’t know about the new WebKit because I don’t use the nightlies. But, whichever browser allows it, that’s an interesting use of that functionality.
I don’t do feed icons (I consider the browser’s RSS button to be enough), but those are pretty and mostly legible.
By nature, the outer and inner parts of a disc move at different speeds while a disc is spinning, regardless of format (CD, DVD, Blu-ray, HD-DVD, etc.). While DVD drives can read data at those differing speeds, Blu-ray reads at one speed. [So the spin speed has to change as the laser moves across the disc.]
That’s certainly not news, but I never knew (or didn’t remember) exactly why Blu-ray is slower than DVD for console games.
I have a hard time finding information on the web, but it looks like, ironically enough, that might be the reason why Blu-Ray has a higher capacity than HD-DVD — meaning that, if Sony had used HD-DVD in the PlayStation 3, game developers would have an easier time with the drive’s seeking speed. (But then, the PS3 wouldn’t have had HD-DVD either, since the only reason it has a blue-laser drive is precisely that Sony wanted to force Blu-ray onto the market.)
I love the way this looks. Too bad there is no text-align: forced-justify or something in CSS, so the layout has to rely on careful, empirical measurement of line lengths at different type sizes — as a result, it doesn’t look quite as clean in Firefox as it does in Safari (because each browser has slightly different letter spacing and kerning and whatnot).
Unfortunately, I’m not testing it because the demo is coop-only — no artificial intelligence included, even though the demo doesn’t seem to be about the strictly-multiplayer aspect of the game — and I’m not interested in the random-hookup functionality it offers.
That’s a weird way to sell a game; I know coop is important to modern shooters, but are you really reaching enough of a market if you’re prominently describing your game as a coop affair?
Considering I’ve only had positive experience with beta 3, and this one has “755 bug fixes,” I see no reason not to upgrade immediately.
Did I imagine the blog posts and tweets saying that The L Word’s fifth season was great? Because… uh…
I’d always wondered who would want to pay for an application that loads a new desktop background every n minutes or hours (or days, or weeks, or… seconds). I wasn’t the only one, evidently, because it’s now free — I don’t know how they intend to make money and pay for the servers now, but I guess that’s called web 2.0.
I tend to be rather deliberate about choosing my wallpaper, so I probably won’t keep Desktoptopia running, but at this price it’s still a bargain. Especially when you look at the image library’s quality, which has always been its big appeal.
P.S. Ah, I didn’t bother to read the FAQ: it’s ad-supported, of course. Fair enough, and probably more viable than subscriptions, if the occasional commercial wallpapers are as pretty as the regular ones.
Here’s the first test of the “Tom Clancy” moniker’s power, now that Ubisoft just bought it out: can it sell a new Ace Combat game on the western market?
The trailer clearly has nothing to do with gameplay, but I’m curious to find out whether the still picture (which is pretty nice and doesn’t come from the video) is in-engine — and, if it is, I also want to see what it looks like when you get closer to the ground. As for the game itself, 4-player coop and 16-player competitive online sound good, but… well, I’m not too good with planes. I’m still waiting for someone to think of making a good, fun chopper game again.
Resist resist resist resist. But then, why?
I’m gonna be able to unsubscribe, and I won’t have to cringe at their scripts anymore.
I’m not sure how often that’s gonna be useful (actually, I’d already forgotten about it before I found the tab I had kept open in NetNewsWire until I blogged about it) but it’s the kind of thing you always like to know (and forget) exists.
Torchwood 2.13 — Boring and infuriatingly stupid and all the usual stuff, but rowr. Too bad he can’t act.
Mostly boring — which made the final cliffhanger all the more frustrating — but it’s not like the episode could have lived up to twelve months’ worth of expectations.
Is it me, or did the firefight scenes not really work? The explosions were gorgeous, but the editing was too messy to follow.
And why don’t they just send her with a reconnaissance team in a Raptor?
I’m not sure how convenient the tilt controls can be for an FPS on the long run, but it works surprisingly well in that demonstration. The PSP is so dead.
The graphics are what you can expect from a 2008 FPS, and I have no idea how the gameplay of a Battlefield can differ from a Call of Duty, but the environment destructibility looks interesting — provided a house deigns to collapse when you knock enough walls down, which I’m not sure it does (or the video would show it, wouldn’t it?).
Three absolutely unbearably annoying videos, but they’re informative: contrary to what the previous screenshots suggested, Saints Row 2 isn’t particularly less ugly than the first game.
Je dois passé trop de temps sur les chats, on dirais. Il faut que je me trouve un mec avant de finir complètement analphabète.
For some reason I always have a tough time wrapping my head around the word “percentile” and how to interpret the number it accompanies.
It all began when Google’s bot-busting CAPTCHA for Gmail was defeated sometime in February. According to sources around the anti-spam industry, the result has been a marked increase in spam originating from Gmail SMTP servers.
Conundrum: I can’t just trust the API to get my Twitter direct messages, but email notifications = twice the same content, and I hate that.
I can’t imagine how painful it must have been to watch this in a theater.
It’s an interesting filmmaking experiment: what if you made a big-budget Blair Witch? Well, it would fail in the same way the original did: I don’t see how anyone could ever care about those characters. It’s not just that the “realism” conflicts with our expectations about what we’re gonna see in a movie; the problem is that the movie techniques we’re expecting have a purpose — they show us several perspectives and emphasize certain moments so that ten minutes of surprise-party footage allow us to know much more about the characters than we just would by spending ten minutes in the party, or watching the beginning of Cloverfield.
Not that the director made it easy for himself: the decision to use unknown actors, as obvious as it sounds when you’re developing the concept, actually harms it; using recognized faces would create the connection that’s missing between the audience and the characters (that’s what famous actors are for). And I don’t understand why Hud has to be the most obnoxious character in the whole cast (not to mention a poor acting performance). Sure, you’ve got to be an asshole to be dutifully carrying a camera around while the city around you is destroyed; but I really don’t think that would be the kind of asshole who screams OH MY GOOOOOD at the top of his prepubescent lungs every two seconds, among many other things that made me want to slap my screen.
Plus, the girlfriend rescue plan is completely unbelievable. And the monster’s ugly. Which I would probably put in the “pros” column if I enjoyed the movie, because designers don’t usually go for the truly repulsive, gross (lack of) aesthetics.
If you attempt to use an 802.11n AirPort Extreme Base Station for Time Machine backup, you won’t get any help from Apple’s technical support, something that readers have already told me. I’ve been getting reports that USB-attached drives work erratically with an AirPort Extreme.
One the one hand, asking people to buy a Time Capsule when they already have an AirPort Express is ugly; on the other, if those setups do work erratically, then maybe there actually are technical reasons. Of sorts. Not to mean “it can’t be done,” but rather something like “our engineers would have to spend some time making it work reliably, and we can’t be bothered.”
Unlike the other news bit of the day (“Microsoft prepares to launch pixel-perfect wiimote clone by year’s end”), I don’t assume this one is a late April’s Fool. Oh, that’s gonna end well.
So chances are I was also wrong about the xboxmote. But lifting the design straight from Nintendo’s seems so clueless, so… Sony.
I love that Katee Sackhoff is doing all she can to remind the audience (and casting directors) that she’s actually a woman, but she’s got as much grace on this picture as… uh… you know, someone not very feminine. God, my blog would be so much funnier if I didn’t suck at ironic similes.
Linking to this kind of photos is not schadenfreude — quite the opposite really: little boys just love to see what their nice toys look like when you smash them with a hammer.
I know, it sound stupid when you read about it, but seeing the screenshot and drawing next to each other is troubling. I can’t be bothered to launch the game and check how it looks from other angles (especially because I don’t think you can access the boss fight straight from the chapter menu, which is stupid).
Oh, by the way, it’s a spoiler: I left the thumbnail because I’m pretty sure it’s too small to understand if you haven’t played the game yet, but you may not want to click the link if you haven’t played Portal. And you definitely want to play Portal if you haven’t played Portal.
P.S. The real face of GlaDOS.
I’m a little confused: it doesn’t try to compete with Amazon S3 as a remote storage solution, even though that’s the most compelling part of Amazon Web Services; but it doesn’t really compete with Amazon EC2 either, as it doesn’t provide virtual servers but just hosting for Python scripts — and only that. I know it’s fashionable (but not as much as Ruby on Rails for the web 2.0 crowd), I’m sure the infrastructure will be nice and reliable and well designed, and it’s certainly simpler than managing virtual servers in the cloud, but come on, how limiting is that? Yeah, I know there’s a waiting list already, but that doesn’t mean the App Engine will get much real-world usage.
There’s got to be a point where Google’s traditional “let’s start by launching a half-assed ancillary product to see if there’s demand” modus operandi has to fail. Wait, hasn’t it failed with Google Talk already? And with Gmail even (not that the product itself was half-assed, in that case, but they didn’t try to push it hard enough). And lots of other stuff.
Looks like a nice collaboration tool, but I can’t login. I end up on an error page in French even though my Gmail account is set to use English, so God knows what’s happening. Not that I collaborate much anyway.
And you may or may not care about John Gruber’s take:
But HuddleChat is just a feature-for-feature clone of 37signals’s Campfire. The layout is the same, the tabs at the top of the screen are the same, the right-side sidebar listing participants and file uploads is the same. It even copies Campfire’s trick of formatting a message as “code” if it contains literal newline characters.
Borrowing ideas is fair game, but copying an entire app is wrong. And it’s creepy, in a Microsoft-of-the-’90s way, when it’s a $150 billion company cloning an app from a 10-person company.
Filed under “I’m posting this because it’s news, but I’m fully expecting an upcoming denial”: whereas the Rock Band pack was launched at $170, the European release on May 23rd (ah, it wasn’t available yet?) would be priced at 170 € for the same instruments without a game, so you’d have to add the usual 70 € for the DVD (as an Xbox 360 exclusive for a couple of months).
It’s not so much the price difference I have trouble believing (even though it’s borderline extortion considering the current exchange rates), but the idea of selling the guitar + drums + mic kit without a game, which would benefit strictly nobody. Except Electronic Arts, that is. But why would EA Europe now be even cheaper than the mothership? Because they know Rock Band is a success, and they think they can do whatever they want with it? Because Europe is the only territory where the PS3 started having decent sales before its price dropped, so we’ve got to be dumb enough to pay twice as much as in the US? Well, remember the analogy goes both ways: we’re also favoring the PS3 over the 360 just because we’re used to the PlayStation brand, even though it’s a less compelling gaming experience.
One of those days when you wish you had fingernails strong enough to claw at your skull and rip out your brains.
Doesn’t seem to like UTF-8.
I love the Battlestar Galactica bit.
I kinda like the angle they chose, limiting clips to 90 seconds — after all, if you extrapolate the traditional Flickr usage, people are gonna want to post either 10-second clips from their cellphones, or two-hour art projects. And you can’t realistically offer to host the latter, so let’s set Flickr very clearly apart from YouTube and all the rest.
The part that sucks, though, is that according to Webware (I can’t find confirmation on the Flickr FAQ, but the example videos I viewed seem to confirm it) videos seem to be converted to 12 frames per second. It’s nice to have better image quality than YouTube, but I think framerate limitations are pushing too far the homage to early-19th-century photography. Why not turn the videos black and white and put an animated grain overlay on top of the Flash players while you’re at it? That would reduce bandwidth usage, too.
(Oh, this post remained as a draft for 36 hours for no reason.)
I thought it was a joke until I read the details: this is the most clever iteration ever of the good old cliché where you give the player full-on powers for the first level, only to strip them and give them back one by one over the course of the game — you’ll be playing as Hayden Christensen only so long as to pick up your new apprentice.
Prospective sales figures must have gained 25% the instant they made that decision; you can easily imagine the TV commercials that will play over and over when the game is released. And the disappointment of die-hard Star Wars fan who’ll find out too late that they’re not keeping the black costume for long.
While I mostly agree with the complaints about cloning Campfire, I hope Google (or someone else) will rework a similar application, only with a different interface. Because the App Engine is a good platform for such an Ajax chat — if it’s operated by Google itself, free of quotas and billing.
Ever wonder why “color temperature” is called that?
A meter is defined by how far light travels in a vacuum in 1/299,792,458th of a second. A second is defined as the duration of 9,192,631,770 periods of the radiation corresponding to the transition between the two hyperfine levels of the ground state of Cesium 133. So, it should come as no surprise that the color composition of light is measured by comparing it to something. That something happens to be the light radiated by a theoretical black body when heated.
And there’s more information where that came from.
Now that’s sexier than a damn eee PC.
Google Street View as an interactive panoramic video (and it doesn’t even use 100% of my CPU like a YouTube video does).
Christian Vivanco’s Utiúu sidetable can be used as a table, stool or shelf with extra storage. Utiúu, which means wild dog in Maya, is made of bamboo and howls at the moon.
A dayplanner with a clock face in the middle of each page (one page for AM hours, one page for PM); you write down your appointments all around, so that you can manage the space much more freely than with the usual fixed model of a couple lines per hour.
It would probably work better with square pages, but I’m still going to buy one sometime, even though I have absolutely no use for it. (I’ve got an iPhone. And no appointments, ever.)
Did I ever tell you I don’t like sitcoms? I hate when the writers give a character some peculiarity (e.g., an allergy) for the sake of an episode’s running gag, and it’s never mentioned again afterwards. Or when a character does something completely out of left field just for the sake of making the audience laugh, and consistency be damned. And I hate when half a dozen self-centered assholes remain Friends for, like, fifty years, when there’s not a chance in hell they’d speak to each other for more than ten minutes in reality.
Well, Arrested Development is all of that, only the exact opposite. Wacky but consistent characters. Stupid throw-away jokes that are developed and remembered over an entire season. More stupid throw-away jokes that are actually hints to the season finale’s reveal. Can you imagine that?
This is great writing, and I don’t say that often about comedies.
Of course it doesn’t make much sense to make such a big pile of one-dollar bills, but you can easily multiply the amounts.
Beaucoup de joueurs intéressés par Ninja Gaiden II auront joué au premier — et ceux-là ne seront pas déçus, puisque le deuxième est plus beau, gère mieux la caméra et propose de l’avis général un gameplay tout aussi évolué. Mais, en ce qui me concerne, je n’ai jamais eu de Xbox, et le seul jeu avec lequel je puisse comparer est God of War (qui n’est pas exactement la même chose, évidemment, mais pas hyper différent non plus), donc je ne pourrai donner l’avis que d’un nouveau-venu.
Le nom de Ninja Gaiden est reconnu pour la qualité des combats, et maintenant je sais pourquoi : c’est difficile, le button-mashing à l’aveuglette est clairement pénalisé, et on est du coup d’autant plus satisfait d’arriver au bout d’une heure à ne pas se faire tuer par les ennemis les plus basiques. Mais il faudra plus de temps que ça pour vraiment maîtriser les combats, et les deux fois où je suis arrivé sur un boss de fin de niveau j’ai fini par abandonner la console à des mains plus expertes (qui n’y sont pas mieux arrivées que moi, et ont finir par relancer le jeu du début, ce qui ne m’a pas peu fait plaisir). En bref, et de manière totalement subjective : c’est rare qu’un gameplay soit à la fois difficile et suffisamment précis pour que j’aie immédiatement envie d’appronfondir plutôt que d’abandonner ; comme l’ont dit beaucoup d’autres articles sur Ninja Gaiden, il s’agit d’un jeu où on ne meurt pas par manque de chance ou à cause de l’imprécision des contrôles, mais parce qu’on a besoin de s’entraîner plus pour progresser.
Quand je dis qu’on ne meurt pas à cause des imprécisions du jeu, c’est quand même un peu un miracle : la caméra semi-automatique est souvent plus que frustrante (je n’ose imaginer ce que ça devait être dans le premier, si celle-ci est une amélioration) et il n’est pas rare de devoir combattre à l’aveugle — parce qu’il n’est pas envisageable de lâcher les boutons pour orienter la caméra avec le stick droit quand on est au milieu d’une mêlée de zombies ninjas mutants ou je ne sais quoi. (C’est qu’ici on n’est pas dans Assassin’s Creed, quand plusieurs ennemis vous entourent ils ne tirent pas à la courte-paille pour savoir qui va attaquer.) God of War règle le problème en fixant la caméra dans le décor, ce qui libère le stick droit pour faire quelque chose de plus constructif ; Ninja Gaiden II compense avec une forme d’auto-lock sur les ennemis qui fait qu’on se retrouve régulièrement à attaquer l’ennemi de gauche alors qu’on pousse le stick à droite. Certes, ça fonctionne, mais je préfère quand même largement la solution God of War. (On ne sait jamais, la caméra sera peut-être encore un peu débuggée d’ici la sortie, mais je ne m’attends pas à ce que les problèmes disparaissent complètement.)
Passons aux généralités. Les graphismes sont corrects, mais sans plus — curieusement, ils sont très photogéniques en screenshots, mais ça va tellement vite qu’à l’écran on ne remarque plus que les décors propres et vides ; c’est assez joli, mais ça donne plutôt l’impression d’un jeu old-gen porté en haute-définition qu’une vraie création next-gen. Le son, je n’étais pas en situation propice à juger (et comme je n’ai pas de 5.1 chez moi je ne le serai jamais vraiment, de toute façon). La disposition des contrôles au pad, sans problème (ce serait juste plus pratique de mettre le mini-menu d’utilisation des objets et sorts sur une des gâchettes libres). L’histoire, aucune idée. Les armes, je n’ai pas joué assez longtemps pour dire. Juste une mention spéciale aux checkpoints… manuels, et parfois à moitié cachés — putain de jeu à l’ancienne de développeur japonais.
Ninja Gaiden II n’est pas parfait, et ne sera pas jeu de l’année (de toute façon, le trophée est déjà gravé au nom de GTA IV) ; mais il n’y aura pas de God of War (next-gen) en 2008 et je n’ai pas aimé Devil May Cry, donc dans sa catégorie il devrait plutôt bien se tenir. C’est que le plus important reste toujours le gameplay, la satisfaction qu’on éprouve à manier l’épée, le bâton, les shuriken et tout le reste, à démembrer des ennemis et à faire gicler le sang (mais alors beaucoup, beaucoup de sang). Et, à ce niveau, Ninja Gaiden II assure. J’ai hâte de l’avoir dans ma console, même s’il promet dans les 30 heures de jeu en difficulté normale pour un joueur moyen (dont la moitié, sans doute, à chercher les points faibles des boss — et, pour ça, il y a Google) et que je ne pense pas être capable de tenir la longueur. Je gère mal la frustration.
En attendant, si je vois un Ninja Gaiden, premier du nom, à cinq ou dix euros dans un magasin, il y a des chances que je ne résiste pas. (D’après le site de Microsoft, il tourne sur Xbox 360.)
I think this is an interesting case study. Any user who is invested in using a service feels a certain sense of ownership over that service - but paid users take this to a completely different level. Paying $25 a year (or $5 a year for that matter) changes the psychology of how users regard a service drastically.
It depends on the website, though: Flickr has always been known for the very 2.0-ishness of its communication with users — being human and fun and laid-back and all. Well, there’s a flip side to that coin, and you end up with a community of users who think they own the site.
By a 314-297 vote, the European Parliament has signaled its opposition to recent initiatives to kick users off the Internet for repeated copyright infringement. […]
Today’s vote is nonbinding, so member states can still move ahead with their respective plans.
314-297 is hardly a landslide majority anyway.
Ah, yes, it’s very much produced by John Woo indeed. Which is too bad, because it’s rather pretty, in a real-time PS3 cutscene kind of way (with awkward animation outside of the action scenes). And I always liked the bunny cyborg.
Microsoft not only wanted to get users to stop running as administrators, which exacerbates the effects of attacks, but also wanted to convince ISVs to stop building applications that require administrative privileges to install and run, Cross explained.
First time I ever hear about it (a skill-based PvP MMO with no levels, apparently; more information on the website), but it’s definitely pretty — thanks to the Unreal Engine.
I’d be weary of an MMO with a stupid name developed by an unknown, inexperienced Swedish studio, but they’re more than a year away from release and they evidently have very nice assets already, so they may just be serious.
A teaser that doesn’t show much, but does confirm that Insomniac learnt its lessons from the first episode and has decided to produce more enticing visuals this time.
I don’t know what I expect… the Cylon side of things is cool, but I don’t care much for all the happenings aboard Galactica (especially those that should have taken place last week). Maybe the humans just annoy me and I wish they got exterminated for good.
Didn’t xxxx’s goodbyes look a lot like someone leaving the show? That… couldn’t happen, could it? Someone wouldn’t leave so late in the game and screw everything up for the writers, right?
Maybe he intends it as an artistic performance of sorts, but to me it mostly comes off as slimy.
I just noticed the previous / next arrows on my blog’s AdSense panels. Are they out of their minds? Have they spent so much time repeating that AdSense is information that they’ve begun believing it themselves?
@twitter Please give me an option not to receive follower notices from people following more than 100 people and not followed by as many.
That was much more involving, less cold and sterile than the first movie, and it looks like the director managed to overcome his fascination for the material, setting, and budget — but then, I watched Elizabeth ten years ago, and had to sit through it in a theater instead of multitasking on Facebook, so it’s hard to compare accurately. (My God, can you believe there was no Facebook, nor Facebook-like, at the time?)
In any case, Cate Blanchett is as good, and as character-perfect, as ever, and Clive Owen looks and sounds great in his bizarro facial hair; only the war scenes were pretty much a failure. Oh, and I love the Queen’s chambers — ultimate loft.
Ahh, cat yodeling.
If you’ve been wondering why you should be using Fluid, which makes site-specific instances of the WebKit browser (i.e., mini-Safari applications), here’s one reason that’s been true since the beginning, and the only reason I was using it: the best way to use Leopard’s Spaces is to assign each application to a space, and Fluid lets you create individual browsers that you can assign to separate spaces. (I may have already blogged that.)
But now there’s another reason, and I’d dub it “Holy shit” but they call it “Cover Flow,” unimaginatively enough:
If you use a Fluid browser to go to Google, Digg, Wikipedia, Facebook, Flickr and a bunch of other sites, you can display a Cover Flow pane (which you can also set to show in a palette or HUD panel) that preloads all the pages linked from your results list, or friends list, or whatever. Which you can then double-click to open either in Fluid or your system browser, depending how you configured Fluid. And the best part is, it’s customizable — well, it’s supposed to be, but the add/remove buttons don’t seem to work in this version. In theory, though, it seems quite simple and clever: give a URL (with wildcards) the filter must apply to, and tell Fluid the CSS path to the relevant links, and it will fetch the URLs. (For instance, for http://*google.com/search*, it’s #res h2.r a, apparently.)
I only wish it was a Safari plugin instead. But Apple doesn’t want Safari to have plugins. (Isn’t there either a browser or a plugin that displays your browsing history or your tabs in Cover Flow? Well, it’s not nearly as cool anyway. And let’s not mention the search engine that displays its result in a Flash carousel; it’s not comparable.)
Oh, and I know, prefetching links is evil. But when it’s for something as cool as Cover Flow, who cares?
At least with The Onion I should have something to post on this blog every week.
It’s not as backwards-compatible as most -webkit (or -moz) CSS stuff, but still usable. And, more importantly, it’s going to be very useful in web applications for the iPhone. (Which is obviously why they’re implementing it.)
P.S. Ok, the post concludes that it degrades gracefully if you place several background (or whatever) declarations one after another, but I can’t believe there isn’t a version of IE somewhere that screws up and switches everything to white if you do that.
In the meantime, why doesn’t anybody post screenshots? I don’t want to download the nightly.
If you’re not a film or photography geek, you may not know that RED is famous for making a digital camera that makes all the aforementioned geeks drool because it’s so powerful and cheap (for how powerful it is, that is).
They’ve only recently started shipping their original camera, and they’re already diversifying on two fronts: the 5K “Epic” camera (5K means that images are 5,000-pixel wide — full HD television is 1,920 pixels) could be expected as the arms race never stops in technology; the 3K “Scarlet” that looks to fit in your pocket, shoot 3,000-pixel-wide images at a steady 120fps (that means you can shoot true slow-motion at up to 5x) on CompactFlash cards and cost around $3,000, on the other hand, is going to give a lot of people some wet dreams.
You don’t need a separate program anymore; just click a bookmarklet (or, in Firefox, install a Greasemonkey script) to download the higher-quality mp4 file that’s usually served to iPhone users. (As far as I understand the blog post, if it’s a video that hasn’t been converted for the iPhone yet, the link will get you the flv file.)
I just used it on a couple of videos I posted on Regarde L’écran and it worked great. Better video, better sound, and I don’t have to play it in a Flash applet that hogs 99% of my CPU.
Not very pretty and not quite as smooth as Mobile Safari, but it works. Well now, Apple, how about you protect those hundreds of patents you said you had?
Mais au moins la rue de Rivoli était calme, en ce temps-là.
A twist on the usual girlie novel: you’re basically eavesdropping on the main character’s mail inbox. Very well done, and quite funny too. And the way they work advertising in is pretty clever.
Le juge a estimé que l’activité Dailymotion relevait du statut d’hébergeur, c’est-à-dire que la société française n’est pas obligée de surveiller tous les contenus qu’elle accueille. Elle a simplement l’obligation de retirer, dans un certain délai, tout contenu qui lui est signalé, sous forme de notification, par les ayant-droits.
I was looking at mice the other day, and remembered that the Logitech “drivers” were the cause of many a blue-screened Leopard upgrade; and now, this. Confirming what I already decided: just don’t buy a Logitech mouse for a Mac. I have no problem with Microsoft’s mouse drivers — as dirty as that sounds.
On the other hand, Growl seems a little too fragile to me; it regularly becomes unresponsive on my iMac.
Shit, it didn’t even occur to me at the time to try and shove the glass shards into my arteries for a laugh.
Unlimited online backup for $59 per year. But, no matter how interesting the offer may be (and it isn’t, in that it seems to be Windows-only), how much would you be willing to trust your backups to someone who has no experience with online services?
Not to mention that “unlimited” plans always reserve the right somewhere to boot you out for “unreasonable” use of their resources; with Amazon S3 and other solutions you get what you pay for.
A positively brilliant idea that could have many derived applications: a two-player Tetris game where both players’ movements are controlled by their arms — so I guess it must be collaborative at times (when objectives converge), and fiercely competitive for the rest of the game.
Looking at the video, though, it seems that in most cases you end up with a stronger player having almost full control of the field. But that still warrants some further testing.
Now, granted, the connection between you Xbox Live account and game websites isn’t quite perfect (so far I think only the websites for Microsoft games have been able to access your Live account) but, come on… that’s really pushing the limits of what the PS3’s lack of real online community implies, and abusing the integrated web browser.
As far as I know, even Valve didn’t interface the Orange Box for consoles with Steam, even though they’re the game publisher with most reason and incentive to do it. I wonder how GTA4 and the Rockstar Social Club will work, though; for all I know they’re going to have to do the same, even on the Xbox, if they don’t get direct access to Live accounts. (Although that was the whole point of Microsoft’s good old “Passport” thing, wasn’t it? Logging in with your ID on third-party sites?)
Okay, I just remembered why I dismissed TextMate again the last time I tried it, even though it had come a long way in finally recognizing AppleScript and different charsets. So this time I’m going to write it down for future reference, next time I see a plugin that inspires me to give it another chance: it’s laggy.
I regularly have long lines of PHP in my scripts and, on my iMac G5, editing them or scrolling horizontally is sluggish — not quite unusable, but far too noticeable for comfort. I suppose it’s the syntax highlighting; sure, it’s much more powerful than TextWrangler’s, but if the result has to be Chinese water torture, I think I’ll pass.
Unlike charsets and scripting, this is unlikely to change by intervention of the developer, so I’ll just try TextMate again if I ever get a multiple-core Intel Mac.
Ah, shit. I’ve thought for a while that one of the things the iPhone misses most is licensing Palm’s Graffiti kinda-handwriting recognition or implementing something similar — I’m pretty sure Graffiti has to be the fastest possible input mechanism for smartphones once you master it. And who cares if it’s not quite intuitive and has to be learned? It doesn’t have to exclude the current soft keyboard; it could only be an alternate mode.
So here’s the “Ah, shit” moment: I don’t want to jailbreak my iPhone, but third-parties will never be able to release such a functionality under the SDK’s terms, so it will never be available to factory-state iPhones unless Steve Jobs decides he likes it. And that’s unlikely to happen.
“This video was a spoof (believe it or not),” said a Microsoft representative. “They thought folks internally would get a kick out of not taking themselves so seriously all the time, but some people thought that’s exactly what they were being–serious.”
Well, duh. Double-nerdy way to miss the point: of course it’s a spoof; but the thing is, it sucks as a spoof.
A number of my readers have pointed me towards the Olympic Torch, not only because it looks amazing, but also - and this is the real point - because it is designed by Lenovo.
Just got an invite for SocialThing (which is to FriendFeed what H2O is to water), and I liked that, as I was opening the email and thinking “Uh, whatever,” it greeted me with: “
Hey there, it’s the moment you’ve been waiting for (ok maybe not, but we’d sure hope so!).”
There isn’t much I liked after that, though (beyond the fact that it’s prettier than FriendFeed, which isn’t difficult):
I’m not allowed to have accents in my name (and I don’t mean the account login, but my personal name that’s been given to me and I can’t change unless I go to court or something).
The Facebook and Flickr applications open in minimal popups, so that you end up being asked your password without having an opportunity to check the URL.
The Pownce, Twitter and LiveJournal configurations just plain ask me for my login and password on the SocialThing page, as if.
None of the social functionality is baked in yet, so for now it’s really just displaying what your Facebook friends are doing on Facebook and your Flickr friends are posting on Flickr and so on.
I have to register on a third-party website to give feedback on their beta, which is so not going to happen.
Oh, and I have two invites, so try and deserve them if you want.
I may or may not refrain from posting Yahtzee’s video every week (in fact, I can’t remember whether I did or didn’t post last week’s) because it would be rather repetitive (not that it stops several video game blogs, and it probably shouldn’t) and because it’s pretty much impossible to follow for, well, many of my French readers (since the series owes its title to the voiceover’s speed, and to being in English), but this week’s is particularly good.
You may know Monster Cable as the makers of cables that… well, let’s say many people consider grossly overpriced. Turns out they’re also what many people might consider patent trolls, sending cease and desist letters to all kinds of small cable makers and resellers for infringing on their connector patents. (You think connectors are standard and there’s nothing much to be patented about them? Well, that’s the point, that’s why many people might consider they are patent trolls.)
So they ended up sending one of those letters to a small company whose boss happens to be a former lawyer, and he replied with a very detailed legal memo that’s been doing the rounds of the blogosphere; and the reason I’m posting it now is that it does deserve the attention it got (and the company deserves the buzz), because it’s a pretty good read.
I love this bit:
I assume that Monster Cable International, Ltd., in Bermuda, listed on these patents, is an IP holding company and that Monster Cable’s principal US entity pays licensing fees to the Bermuda corporation in order to shift income out of the United States and thereby avoid paying United States federal income tax on those portions of its income.
And this one is sad:
My first seven years were spent primarily on the defense side, where I developed an intense frustration with insurance carriers who would settle meritless claims for nuisance value when the better long-term view would have been to fight against vexatious litigation as a matter of principle.
Yeah, that’s what reasonable lawyers like him end up doing: they quit the business and start selling computer cables.
Il y a des jours où le Y vaut 4 points dans Scrabulous et des jours où il vaut 10 points — dans la même partie.
I don’t think the MacBook switching to aluminum would make sense now that the MacBook Air exists — you don’t really want them to look too similar, or even related. And the iMac look for the MacBook Pro, with a glass pane protecting the whole screen and lid, doesn’t strike me as very efficient in regard to thickness and weight.
Not to sound too partisan, but I’m glad the 360 may manage not to completely lose the fight after all. Let’s just not forget to thank, not only the price drop, but also the influence of Beware The Frog.
I’ve personally sold at least one Xbox. In Switzerland. That counts as “Europe,” right?
I’m getting to the point where I have trouble differentiating all those very fashionable portfolios with interchangeable styles, and I can’t remember which I’ve linked to or not.
The advantage of being a limited artist being that you can recognize my style in everything I make.
First gameplay video and, uh… well, it’s exactly what you’d expect, a Lego game but dark and super boring (I don’t know who edited the trailer, but I can’t believe how poorly it’s selling the game).
I had to check videos from the Star Wars games, though, to confirm that the characters’ limbs did not bend during gameplay (or maybe they did, but only a little, I’m not sure). But then, they did bend during cutscenes, so let’s go for consistency. And you could argue that the Batman universe is more about smooth, elegant moves than Star Wars — but wasn’t it part of the fun of Lego Star Wars to see the minifigs hopping around?
Eating makes you fat, drinking and fucking make you sick, thinking makes you depressed… ever doubt that nature wants us to be worker ants?
From the “I mentioned it once, I kinda have to follow through” department (I need to have a tag for that):
I believed that I would be able to manage the outcome by trying to make a positive outcome for the buyer, for my friends and followers. Even if it wasn’t a good fit, I (believed) I could work with them. But after I heard that they were all just spam marketers, that just kind of killed it for me and I didn’t want to risk that.
I can’t decide whether it was all a publicity stunt (but that would be daringly negative publicity) or he seriously didn’t foresee that the only people interested in buying Twitter followers were spammers. I believe he may just be stupid enough — that’s why I don’t watch Rocketboom (even though the second host was so much more bearable than Congdon).
FINE, I’m disabling the “New Follower Emails.” You can be satisfied, assholes. As if I was gonna buy what you sell because you follow me.
Nothing spectacular, but it looks like they finally fixed the one problem that prevented me from using it as a main browser:
Camino can now store information in the Keychain for multiple accounts at the same site.
But they’re at least two years late with that (geez, how hard it must have been to be able to save several freaking passwords for a same site); I could have switched at the time when Camino’s functionality was comparable to Safari’s, but that hasn’t been the case for a while now.
Je suis au bord de la crise d’épilepsie — mon cerveau ne peut pas supporter de tels affronts à la logique et au sens commun si tôt dans la journée.
“Il y a une pression forte d’Apple pour passer à un modèle subventionné,” explique un proche d’Orange.
Cette phrase me donne des tics nerveux, principalement parce que, connaissant Apple, je ne doute malheureusement pas trop de sa véracité. Passons sur le fait que c’est Apple qui a insisté pour vendre l’iPhone au prix fort ; ils ont le droit de s’apercevoir de leurs erreurs et changer d’avis. Mais ce qui déclenche mon eczéma purulent, c’est que l’iPhone est subventionné, et il serait temps que les journalistes arrêtent de répéter qu’il ne l’est pas, juste parce que c’est ce que Steve a dit. L’iPhone est subventionné par les royalties que payent les opérateurs à Apple chaque mois ; juste, il s’agit du seul téléphone au monde à être subventionné mais vendu plein tarif au consommateur final. Et c’est Apple qui vient ensuite se plaindre que le téléphone est vendu trop cher ?
Orange est prêt à subventionner mais souhaite bien sûr une contrepartie. “Le reversement qu’Orange fait à Apple pourrait être revu fortement en baisse, voire même supprimé,” explique une source.
C’est pas que j’aie envie de défendre Orange (après tout, je passe mon temps à vanter les qualités de la Xbox 360, alors au point où j’en suis…), mais pour le coup je suis de leur côté.
Someone ought to start a chain of coffee shops (or something) with padded walls and sound-proof windows, called “Primal Scream.”
That’s faster reaction time than I expected.
Apple has since made a small concession, changing the way its Software Update application for Windows looks. Software Update will still push any Apple software you don’t have installed, however, the new programs are no longer listed as “updates,” but appear in a separate pane clearly labeled “New Software.”
In a way, though, fixing the application so kinda-fast makes it all the more vexing that those new software download are checked by default. (And, I suppose, are checked again every time Software Update opens up.)
Pretty! (Ah, the memories.)
The demo confirms what reviewers have written: this works pretty much as well as an RTS on console can (the only gripe I have, really, is that the menu items’ captions take several seconds to appear, so if you haven’t memorized what each icon does yet — and they’re all small and look very much the same — you’re going to waste a lot of time finding the commands you’re looking for). The controls are convenient, the graphics are fine, and yet what the demo really wants me to do is get a Windows setup so I can play RTS games with a mouse.
Still, for lack of a full game (too bad Sega’s PR agency has apparently not been satisfied with my very incomplete and belated The Club non-review) and lack of a real PC, I can still myself spending a bit of time replaying the two missions the demo offers.
If you’re on my friends list, feel free to train a bit so we can try the online mode.
Funny, this looks much prettier (well, “pretty” isn’t quite the right word, obviously, considering the setting) in person than in the videos I downloaded. Also, I made it through five minutes and I’m never launching this demo again.
Not only are the graphics pretty good, but the controls contribute to immersion (lack of HUD, disconcertingly fast — but not twitchy — and fish-eyed camera), and I’m never walking through the street right down the corner from my building where a bunch of homeless guys have set up residence under an archway.
I do wonder how anyone can find the nerve to play the whole game, and I’m not even usually that scared of horror movies.
Yeah… well, actually, it’s not a horrible game — the character is shiny and he flies, and you get used to the controls even though they’re absurd, so it may be a worthy purchase (well, no, more like a rental) for people who’ve always dreamed of being Iron Man. But, as a game in and of itself, there’s pretty much nothing interesting about it: it feels just like it looked like it would, i.e. sterile and repetitive.
Ooh, a new program for drawing with your tablet — yeah, I try them all. I like SketchBook; ArtRage is usable but not great; Painter is too bloated and way too complicated to use. And there’s got to be a couple others, too (actually, didn’t Photoshop CS3 add more tablet-painting functionality in CS3? not sure).
So here’s a new $35 shareware program:
It’s simple, but it works; the ink is almost perfectly smooth, even on my iMac G5 with 1GB of RAM (in several bigger programs, the software can’t keep up with the USB data and displays broken straight lines instead of curves), and it even have guides so you can cheat and trace pictures. No pretty paintbrush effects there (although “ink mode” allows you to draw with a black brush then paint the colors into it, without switching to Photoshop to use layers and blending modes) but it’s very small and light and quick — so it’s great for quick doodling.
And a nice closer:
The unregistered version gives you full access to all features but undo is limited to 5 levels. The registered version allows unlimited undo levels.
I haven’t used it long enough to see if there are occasional nag screens (beyond the launch screen, for which you can’t blame the developer), but it looks a lot like it’s donationware-with-incentive rather than proper shareware.
I could hear and smell a fuse blow in my head, the moment when Matthew Bellamy started singing “Get ringtooooones…”
Ever heard of IRC? It was to web-based chat what Usenet was to forums. Okay, that probably doesn’t help you. Well, suffice it to say that it was much more powerful and convenient and interesting, but it required a dedicated application to access, so it fell into oblivion as soon as the most primitive HTML/Flash/Java equivalents started appearing.
Forget all the “chat with your readers” widgets you’ve ever seen; this is the ultimate solution (even though it’s kinda ugly, and for some reason you can change some colors but not the light green frame). Just pick up a unique channel name (channel is the IRC word for chatroom, one starts with a’ #’ and mine is #wwwgaroonet), put up a link on your site that opens this channel in the embeddable version of Mibbit, and you’re all set; everyone can chat together, you can have tabbed private chats, and no registration is necessary for anyone (even choosing a nickname can be optional). The free irc.mibbit.com server even has NickServ and ChanServ, which means that you can however register your own nickname and channel names, as explained in Mibbit’s wiki, so that nobody can impersonate you. And, since this is a real IRC server, you can also launch a separate IRC application on your computer for added convenience, if you’re gonna spend the day there. Perfect. It’s just a pity that the web app is too ugly and not customizable enough to be used on commercial sites.
If you’re interested in the technical side of things, and you’re as mystified as I am that it can work so well, there’s a nice interview with the developer at Ajaxian — in short, it uses a Java webserver/proxy on the server side to keep the connection open and forward your packets to the IRC server.
So come on over and have a look at #wwwgaroonet (when my blog reaches critical mass and I have too many readers for a single channel to be manageable, which is gonna happen, like, so soon, I’ll branch out into #wwwff00aacom and #wwwbewarethefrogcom, which are already reserved, of course). Sure, it doesn’t have webcams, but it’s also super fast, lightweight, and doesn’t hit my CPU at all. And I can’t stop marveling at how well it works.
[…] the nutty practice of offering the same content in two (or three!) different RSS/Atom XML formats. I’ve never understood this — why should would-be subscribers to a feed be forced to choose a specific XML format? It’d be like asking web site visitors what flavor of HTML they wanted: “No XHTML 1.0 Strict for me. HTML 4.01 Transitional, please.”
Well, there’s a historic reason — many newsreaders used to have trouble with one format or another, so you had to know what the application you used was able to process, and choose accordingly. But I agree that the practice is obsolete, and confusing now that almost all browsers have an RSS button. (Doesn’t IE7 automatically subscribe to the first available choice?)
Also, you know there’s a bunch of geeks who would like to have a menu to force some blogs into displaying in XHTML 1.0 Strict.
The specific arrangements of the perforations reveal different shadow-poems according to the solar calendar: a theme of new-life during the summer solstice, a reflection on the passing of time at the period of the winter solstice.
I like the actress, and all of the cast really (even Jennifer Garner can be a good choice now that she’s typecast as the uninteresting neurotic housewife), and there isn’t much of a story but it’s all nice and sweet — unrealistically sweet.
You hear everyone say that this movie is interesting, and it’s pretty, and it’s not boring or stupid or anything, and you just don’t believe them because it’s impossible — but it’s true. Yes, it’s almost entirely about Helvetica, but not in a monomaniacal way; it’s just an interesting angle at discussing design. There are points and counterpoints and heated debate, and nice photography and some interesting people; a couple interviews could have been edited out but most of the movie is definitely not boring.
I wouldn’t recommend for just everybody, but it probably can be of interest to a broader audience than you’d imagine.
I don’t know what it would take for me to be productive again. Oh wait, I do know what, and it doesn’t look to be in the cards.
I’m not sure whether this is a concept or it really works — it looks like it would be really fragile — but I absolutely want one of those in my offices’ lobby.
A while ago I wrote that I wanted someone to come up with an Adium plugin that would serve all open conversations to an iPhone (or any browser) as web pages, and how hard could it be since message views are HTML already?
Well, as far as I know, that plugin doesn’t exist; but it looks like Colloquy’s developers had the same idea I had, and they made a plugin for their IRC client that lets you keep Colloquy open on your computer so you can access to your messages from an iPhone (it’s probably not extraordinarily secure, so just don’t discuss trade secrets on there, okay?).
Here’s a summary of the instructions, for future reference, in case the blog post disappears (since there’s no documentation included with the plugin — which looks very much beta at this point, so I just assume they’ll make it more straightforward in the future, although the article dates back to last July so I’m not sure it’s moving forward very fast):
install Colloquy and download the plugin
install the plugin into ~ /Library/Application Support/Colloquy/PlugIns
open Terminal and type:
defaults write info.colloquy WebInterfacePassword yourpassword
Now your computer is serving all your chats on port 6667; as soon as your router is configured to forward that port, you’re good to go.
As it stands now, the system probably kills your iPhone’s battery (the “loading” spinner never stops spinning), but that’s much, much better than Meebo and any other solution (for non-jailbreaked iPhone, and until the SDK is out). Between that and yesterday’s web-based IRC client that I used on my blog to create a personal chatroom, I’m not sure I’m not going to shut down Adium completely.
P.S. Oh, and the web interface even has an extended mode that gives you more functionality (i.e., a source list just like on the software application) when you access it from a computer rather than an iPhone. Excellent.
Politics I’m not interested in, characters I don’t care for… and she definitely doesn’t have enough charisma to be a good Cylon.
I remember reading about this before, but I never think to use it. It seems to be great for making quick mockups.
I’m bookmarking this for the day when I have several Mac Pros at home and a MacBook Air in my manila envelope.
I think I had seen a picture of it earlier, but never realized it was in 3D inside a cube. Not that it should surprise me, come to think of it — my mother has a couple of laser-etched glass monoliths, but nothing as geeky-cool as this.
A couple years ago, Oprah went to Montecito, saw a house and fell in love with it. It wasn’t for sale, so she ended up paying above market value for it—several times over the price—because it was something she really, really wanted. […] I couldn’t put a “for sale” sign out there, so I had to do it unconventionally. The way I did it was to make sure people realized I wasn’t for sale. It made them realize that they needed me. They heard from different sources in different ways what BlueLithium was. That attracted them to my company rather than me going [to them]
How many weeks can anyone need to slowly, hesitantly drill through my walls every morning? Seriouslyyyy.
“Ads are important,” Joi Ito said. “It’s always harder to add ads later. So we’re launching with them in Japan.”
Making a note of that.
Because separate designs were unmanageable; and it’s all the same blog spread and sliced over different topics, so they might as well really share the layout.
Some backgrounds are semi-temporary, and I have to re/do a presentation page (which will be linked in the top menu of garoo.net), the unread mail / current iTunes track displays (in a Dock on ff00aa.com — that’s why the current header looks so empty) and the personal diary, which will only be available in RSS.
I know, it used to be prettier, but now it’s more functional.
They took the time to make a pretty trailer; it’s worth a link. So here’s the sequel to Dofus, which, if I understand the developers’ blog correctly, won’t use Flash but a real software client — which is good, considering how well-animated it looks on the video, the Flash plugin would have toasted my computer.
My problem is, I know what I’ve decided I think of some things (or people), but I never remember exactly what facts brought me to that opinion. So I know I don’t like WordPress, but I can never find justifications when I need them.
Well, nevermind that there is no cache by default — it’s not that hard to fix with plugins, after all — what I find much more interesting is this sentence:
A default WordPress install will query the database twenty times every time you refresh the page.
I can’t quite believe that the number is accurate, but I can’t find any rebuttal in the comments, and I’m sure someone would have protested. And that’s only an example of what I hate about WordPress: the inefficient queries, the multiplicity of includes, the horribly complicated source code where you have to search for hours (and across fifty files) in order to modify a simple functionality. It may all be very fine when you’ve got a dedicated server, and you can activate the caches for MySQL queries and PHP opcode, but it should never have been released into the hands of a general audience as a DIY solution to be installed on any shared hosting solution.
I never liked the original b2 code base; WordPress has proven itself quite worthy of its heritage, in my opinion. By the way, since you’re asking: I do like the Dotclear code much better (although I’ve never looked at 2.0), but my top recommendation remains Textpattern. Elegant, clever, well-done and versatile. And this wasn’t a sponsored message.
Now, if bad-mouthing WordPress and b2 that doesn’t bring traffic to #FF00AA, I don’t know what will.
I’m pretty sure there are other services like this, but this one is pretty well-designed: when you’re on a page you’d like to read later, click a bookmarklet and it’s added to your link list.
So it’s simple, but it’s all in the details: there’s a nice, clean iPhone version, you can get a daily email listing your links, and I like that the bookmarklet’s popup stays open for five seconds, giving you an option to start typing a note before the link is filed.
And, because it’s on App Engine, it uses your Google login (I’m tempted to call it “Google Passport” for now on, because Google has just managed to realize Microsoft’s wettest dreams). Which you might find either convenient or scary.
Nothing very impressive technically, but a fun idea to reuse. Next time someone dismembers the Apple gadget of the month, for instance.
That’s the kind of little utility a webdesigner could find very useful very occasionally — so occasionally that I’ll have forgotten all about its exsitence the next time I have a use for it.
Enter the URL for a website, and the script loads all the associated CSS definitions and displays a list of all the colors they use. And, yeah, that’s all. Like I said, you’re not going to need it every day, but it can be convenient.
A new, upcoming application that graphics designers can use to convert Photoshop mockups into functional Flex projects, for Flash development.
From the short video preview, it looks pretty clever; the part that confuses me is why it’s a separate application from Photoshop or Flex — I guess Adobe’s recent “periodic table” look gave them the urge to create many, many more applications and icons.
…with giant saws.
Freedom is an application that disables wireless and ethernet networking on an Apple computer for up to three hours at a time. […]
Freedom enforces freedom; a reboot is the only circumvention of the Freedom time limit you specify. The hassle of rebooting means you’re less likely to cheat, and you’ll be more productive.
Before you start you need a dual SIM holder. There are a few out there. There are ones that switch phone numbers when you shut down the phone and ones that can get switched on the phone. These SIMs require no jailbreaking or hacking to use if you have two AT&T SIM’s. All you do is cut both AT&T SIMs with an knife to a template size then pop both sims into the SIM adaptor and anytime you want to switch lines you just shut your iPhone off and turn it on.
Wow, I had no idea such a thing existed.
The WebKit devs are restless these days. Even though the idea of alpha layers in CSS is pretty cool, I have trouble imagining a really useful application — possibly because I’ve already applied masks to images by using ImageMagick on the server to generate PNGs, which are obviously more portable across browsers.
So I guess it’s kinda important for some people, or something. And spoilery, too (but in Japanese, thankfully — although the typical MGS geek / Kojima fan probably ought to speak a little Japanese for extra brownie points).
So apparently one can be able to afford a Gallardo but have the taste and distinction of a regular soccer hooligan.
I mean, I see the funny, but it’s still tasteless defacing of a work of art. By the person who owns it and purports to appreciate it.
The company is running around 10,000 servers. […] Of the 10,000 servers, 1,800 are from MySQL and around 805 of them are memcached servers.
I’m surprised they have more MySQL than memcached servers — but I suppose it makes sense because some aspects of Facebook are rather write-heavy. Wonder if the new chat system is powered by MySQL.
When I first saw the pictures, I figured — if they’re going to be inspired by the Segway, why not have two wheels next to one another for better stability, rather than only one? Turns out it does have two wheels, which sounds like a very cool geeky toy.
But it’s one thing to trust your walking stance to gyroscopes on a Segway, and another at 200kph on an open road. Not to mention that the electronics might act against the driver’s instinctive reactions to emergency situations.
Oops, the Twitter import script for my blog was broken by my own fault. (Moved functions around my PHP include files.)
And one I wouldn’t mind having. (Looks like it’s a replacement that requires opening up your iPhone, not a protective case. And the part where the buttons are is likely much more fragile than the stock aluminum panel, so it’s probably not a good idea at all, in fact.)
Ever heard of multimedia? Why is it so fucking hard to find web pages that show hiragana / katakana and play the goddamn sound?
I could learn Objective-C or drawing or singing or anything remotely useful, but instead I’ve decided I want to speak Japanese. Kill me now.
Guess I’m too far past the point of not caring about any of them. There were a couple of opportunities for very cool scenes, and I can’t tell whether they failed or I did.
I wasn’t sure if it was me or not, until the “Should I get used to waking up to this face?” line — yes, it’s the writing. So let’s assume they were rushed to cram too much stuff in the first three episodes, or maybe they even consciously decided to sacrifice the beginning of the season so that the ending could afford to be perfect, and from now it’s all going to be good again.
I like the new dynamic of the Galactica Cylons; shoulder bags look good on Adama; the crash scene was rather poorly filmed; and, most importantly, what should we think of the way she lifted Baltar?
Perfectly useless, but I like the idea of visualizing a Twitter feed (yours, or someone else’s) as a calendar subscription in iCal, Google Calendar, etc.
Don’t try, though, it’s in private alpha for now.
Ew! ew! ew!
Well, that’s what they say; it could be anyone, really.
Today was the day when the embargo was lifted for websites and blogs, and… well, it looks like the game delivers. A lot. As in, I’m definitely going to have to buy it if I don’t get it for free, and in any case I better do some work in advance to pay for the next few months of rent, because I won’t be able to do much else than play once I get it.
In short: the PS3 has better loading times (courtesy of the compulsory hard drive install that isn’t an option at all on the 360) but the Xbox has the upcoming exclusive downloads, and Live for multiplayer, so it’s likely the better choice.
But I suspect the 360 version might have only one language on the DVD, like other asset-intensive games like Halo 3 and Mass Effect before it, and the PS3 Blu-ray might have all languages, and that may very well change the tides for foreign territories. I’m really not in a hurry to be forced to find out how good the French voice acting is.
Are you sure you want to introduce the first gameplay videos on the day before GTA IV is released? I mean… really?
Well, so be it, then. It’s Crackdown with a little more powers, and less stylized graphics — which isn’t necessarily a good thing, because it emphasizes the artificiality and imperfection of the character’s animation, and the sterility of a very polygonal New York, which are all made worse by a rather poor camera choice. The developer interview shows a little footage from the Hulk: Ultimate Destruction game and, yeah, it’s just that, with nicer graphics and some gimmicky pseudo-infiltration, and how is anyone expected to care about that this week?
The sound must be awful — but somehow that’s appropriate, isn’t it?
Except for a bit of drool at the thought of a “3.06 GHz” badge on the top of the line, the newsbit of the day (which isn’t a Tuesday, oddly enough) is that Apple has discovered the concept of exchange rates, and the Mac mini is now available from 499€, and the iMac from 999€.
Which makes it all the more frustrating to stick with my G5.
Montenegro is getting its own country-code top-level domain. And it is called “.me”.
But then, fancy domain names à la del.icio.us are out of style, aren’t they?
I’ve got money on my bank account. From a check I expected, but don’t remember receiving and cashing in. Am I actually going insane?
Great story arc, and I definitely had a hard time putting down QuickTime Player after each cliffhanger, but the direction and most of the writing was rather cheap and poor. Real pity.
The last episode was cool, though. Even if it’s an easy way out, as far as screenwriting is concerned.
Yeah, it’s gross, and I also should buy a pack if I’m going to survive this spring.
Ah, merde, il n’y a que 30 jours en avril. Je déteste le mois de mai, c’est le bordel pour planifier les trajets à Monoprix.
One of my plans for the loft I’ll set up when I’m rich is to have big metal sheets all around with lots of stuff magnetically stuck on them.
From the “oldies but goodies” department.
So, basically, Back to My Mac automatically subscribes you to a dyndns service with which you can’t customize the user name (well, you could rename your computer). Granted, Back to My Mac involves more obvious security risks than this (like the fact that there’s only a tiny .Mac password protecting your computer from being controlled by the whole internet, and most users don’t realize the importance of strong passwords), but I still think it’s a weird choice. Well, it’s not like Apple has a history of caring much about security.
I’m conflicted — it’s undoubtedly cool, but it also looks like Apple is advancing CSS to specifically favor Apple-like webdesign.
Looks like it’s going to be a very interesting, and very pretty, take on RSS aggregating. (Probably not for me, though, because I do like to scan all the headlines from my 400 subscriptions, and make my own selection.)
Merde, j’ai oublié d’aller à la Poste. Pourquoi le distributeur automatique ne propose plus de timbres ?
Although he wasn’t sure on the exact figures, [Grand Theft Auto IV producer Leslie Benzies] told the Times Online that, over the three and a half years the game was in development, the 1000-plus people working on it probably cost Rockstar around $100 million.
And I’m not nearly surprised.
Some of them are a little too clever for their own good, but there are nice ideas. And why would a divorce lawyer have good taste anyway?
Coffin Couches is a California-based company that sells sofas made out of “used” coffins. From the website, it would seem that the company doesn’t get its coffins by disinterring grandmothers, but from coffins that are discovered to be slightly damaged after a body has been put in them.
I vote that the emphasis-mine part is just marketing spiel to make them look that much more creepy-exotic.
Two fun bits from today’s Buzz Out Loud listener email:
Smugglers (aka drug dealers) will drop off a package at a FedEx office at a particular time every day for several days. Then on the FedEx Web site they watch the progress of each package and get an idea of when a package hits certain points (i.e. Bogota to Miami, Miami to Memphis, Memphis to Detroit, out for delivery) in the delivery chain. Then they send the contraband from the office at the appointed time. If they see a variation in the delivery times the recipient at the other end knows not to accept delivery. A variation means the package was stopped and time was taken to get a warrant to open it or for the recipient’s arrest.
I’m not sure package delivery is regular enough for that to be 100% reliable, but what’s the worst that can happen — a false positive means you lose some tens (hundreds?) of thousands of dollars, but you don’t end up in jail. (Not to be used before the authorities already know you’re there, though, because it’s just a teeny weeny conspicuous.)
And I just love the image this one conjures:
I was in the cockpit over the eastern U.S. the other day and decided to take out my laptop and look up some technical data on the 737 I was flying. When I booted up I noticed that wireless networks were available. Just out of curiosity, I opened up the Wi-Fi window and saw that the signal was from an aircraft with Wi-Fi service that was flying just above and ahead of us. I knew it was from that airplane because the signal identified itself as being from a particular U.S. airline that has Wi-Fi service and we heard their call sign on our frequency.
That got me thinking about the proposed balloon network you talked about a while back and I was wondering if you couldn’t come up with an airline mesh network. […] If all those airliners were equipped to create a mesh network you could easily defer the cost of the equipment as well as compensate the airlines for the service.